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With a semi-playful nod to the 1945 film Detour and more than a few rain-drenched streets, Nightmare Alley pays tribute to noir.
Batman noir: the black mirror movie#
Guillermo del Toro’s effort in Nightmare Alley succeeds with flying colors because he and co-writer Kim Morgan truly understand the what makes this sort of movie tick. The movie ranks as the most stunning modern noir to behold since Brian De Palma’s The Untouchables. The most significant departure this glossy abscess of a noir makes from its director’s previous work is here, men are the only monsters (along with a woman or two). – Kate Sánchez, But Why Tho? A Geek Community It’s a del Toro film like you haven’t seen before. – Tim Grierson, Screen Internationalĭel Toro creates a story so focused on the grime of humanity that empathy is left at the door. (Photo by Kerry Hayes/©20th Century Studios) Is it a big departure for the director?ĭel Toro has frequently championed outcasts and misfits, but in Nightmare Alley he has at last found an outsider who isn’t deserving of our sympathy. Sadly, the setting is too straightforward and grounded for del Toro to infuse much of his signature styling. Nightmare Alley will surprise some… but to devoted fans of the filmmaker’s work, the new feature feels like a movie he’s been building towards for some time now. Yet another winner from del Toro, a director who loves the weird, the strange, the wicked, the perverse. It’s a perfect match of material to auteur. Nightmare Alley is classic del Toro and yet sharply departed from the horrors we have come to expect. Here’s what critics are saying about Nightmare Alley: Will it be another hit with the filmmaker’s fanbase and awards voters alike? Given the general favor of the first reviews, with particular emphasis on the visuals and performances, the road ahead for the movie seems promising. Now comes his dream project follow-up, Nightmare Alley, which, aside from being another period piece, looks to be totally different from del Toro’s usual fare.īased on a 1946 novel and its first adaptation from 1947, del Toro’s latest is an homage to film noir and a showcase for an ensemble cast led by Bradley Cooper, Rooney Mara, and Cate Blanchett. Can two of Gotham's proudest protectors bring justice to this malevolent threat in Commissioner Gordon's most personal battle to date?īATMAN NOIR: THE BLACK MIRROR collects DETECTIVE COMICS (1937-2011) #871-881 and shows a new perspective on Scott Snyder (BATMAN), Jock (THE LOSERS) and Francesco Francavilla's (SWAMP THING) epic crime saga.It’s been four years since the release of The Shape of Water, Guillermo del Toro’s romantic fantasy film that won four Oscars, including Best Picture and Best Director for the fan-favorite auteur. As the conflict comes closer to its resolution, they find that the truth behind this murderous crime spree isn't just careening toward their doorstep - it has in fact emerged from it.
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But even after a crime-fighting lifetime of confronting what they thought was the worst humanity had to offer, an even darker and more dangerous evil pushes Batman and Gordon to their limits. Time after time, they've saved their beloved city from itself, not allowing it to be swallowed by a pit of violence and corruption. A brand new perspective on Scott Snyder (BATMAN), Jock (THE LOSERS) and Francesco Francavilla's (SWAMP THING) epic crime saga - presented here in gritty black and white.įor years, Batman and Commissioner Gordon have stared into the unyielding black abyss that is Gotham City.